Thursday, March 27, 2014

Indie Rock: Rilo Kiley

One of my favorite quintessential indie groups would be Rilo Kiley, although you won't hear lead singer Jenny Lewis label it as such.

In 2003, Marli Guzzetta of the Houston Press, described the sound on Rilo Kiley's The Execution of All Things as "the diary of an optimistic '50s pop star whose music has been deflowered by electric guitars and synthesizers, crushed and disenchanted by lost love and broken homes."

If that description doesn't make you want to listen or doesn't already enforce your own views on the band, then you must be listening to Rilo Kiley the wrong way. Please see an indie doctor ASAP.

This song was the first I heard because as with most bands, you are first introduced to their most recent work rather than previous albums. I would relentlessly (and embarrassingly) belt it out alone in my room and dance when I felt sad.

Hopefully it makes you do the same and becomes as inspiring of an anthem to you as it is to me. 



[UPDATE: Made on 4/10/14 at 4 pm]

Friday, March 21, 2014

An Intro to Indie

I had been going through my iTunes library recently and discovered how many female indie artists I had music of. For my following posts, I have put together a list of twenty female-fronted indie bands to share. But since I'm sure you would never scroll through a post that long because it'd take ages, I will post weekly on different indie artists until they have all been covered (this should take about 5 weeks if I don't keep adding to the list. I have no restraint, ok.)

Why is it that I was able to find so many indie bands in my library that featured women? Is it because of my bias towards female musicians or is it an easier genre for women to break into and be successful in? Is it expected for women in music to take the more passive indie route than other more aggressive musical paths?

While I may not have the answers to these questions yet, I can introduce my audience to bands/artists that are or will be influential in the indie genre.

I don't even know where to begin or with whom. Indie can sound different depending on the instruments, vocals, and miscellaneous noise. Indie, to me anyways, is just a genre that is imposed on artists who don't necessarily fit into the definition of other genres, as sort of a mixture of sounds.

Thursday, March 20, 2014

On Punk Music: The Female Perspective

To me, and to many other females involved in Chicago's punk music scene, our perspective is crucial in identifying problems with the scene and in trying to find solutions to underrepresentation of marginalized voices.

I spoke with two ladies in attendance at Chicago's recent zine fest who both had valuable input on this subject.

I'd like to thank both of them for their time and hopefully I can continue this project in the future and build upon this.



Tuesday, March 18, 2014

1990s & Shoegaze

While grunge bands were receiving fame in the MTV culture of the 90s, the underground and less well-known shoegaze movement was occurring simultaneously.

This genre saw much more female involvement as bands like Pearl Jam, Nirvana, Alice in Chains, Soundgarden and more were all comprised of male members and seemed to cater to men given their rough and aggressive sound.

Don't get me wrong, I appreciate Nirvana and other all-male shoegaze bands just as much as I do bands with female members, but the importance of having female representation in bands of the 90s was crucial as it set the scene for current experimental musicians.

The first time I was introduced to the shoegaze, or shoegazing, genre was in the film Lost in Translation.

My Bloody Valentine's song 'Sometimes' was featured in a scene that follows Scarlett Johanssen's character as she rides a taxi through Tokyo after spending a night on the town with Bill Murray's character. (Great movie if you haven't seen it already!)

Since then, I have been hooked and captivated by the dreamy vocals and harsh noise associated with the genre and ask people I know for suggestions of all-female bands who produce this type of music. If you know of any, feel free to comment.

Current bands are still influenced by these groups from the 90s, such as Whirr, Grouper, Tamaryn, True Widow and more.

Some of the bands I will mention still even perform, having been functioning groups since the late 80s or with a break in between activity.
~

My Bloody Valentine (1983-1997, active equally in 80s and 90s, Bilinda Butcher was key female member on split vocals and guitar)



Yo La Tengo (1984-present, active for all 10 years of the 90s, Georgia Hubley is sole female member on split vocals and drums, also designs cover art for albums)

Black Tambourine (1989-1992, Pam Berry is vocalist, one of earliest Slumberland record label groups)

Slowdive (1989-1995 & 2014-present, majority of years active were in 90s, female Rachel Goswell on split vocals, guitar and bass. Goswell later went on to join Mojave 3.)

Bleach (1989-1993, Salli Carson is vocalist) 

Loveliescrushing (1991-present, primary vocalist is Melissa Arpin-Duimstra)


Mazzy Star (1988-1997, 2000, 2010-present, majority of years active in the 90s, Hope Sandoval is lead singer)

Luminous Orange (1992-present, from Japan, Rie Takeuchi is now sole member but group started out as all-female)

Malory (1995-present?, from Germany, Daniela Neuhaeuser is split vocalist and guitarist)

Tuesday, March 4, 2014

Feature: Feminism Up To Eleven

I have an interesting blogger to introduce: Jessica Roti has a blog similar to mine based on both being focused on women in music. However, Roti's blog is much more in depth as to why certain artists can be considered feminist or not. Here's the interview I did with her. It was a pleasure to interview someone I have so many views in common with. Enjoy!

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“Put it up to eleven” goes the classic quote from the ‘mockumentary’ This Is Spinal Tap.  The quote is rightly referenced in the music critique blog “Femme Louder”, which aims to facilitate dialogue on how music is influential and at times detrimental to mainstream representations of women.

The blog’s content will largely be centered on female musicians, therefore providing a voice not represented in This Is Spinal Tap, by the “Femme Louder” female author. While this may sound exclusively female, all audiences are welcome to read and engage with the blog.

University of Illinois at Chicago senior and aspiring music journalist Jessica Roti combines her gender and women’s studies major with criticism of the music industry.

“Femme Louder”, Roti’s blog title, fuses both of those worlds together. Her goal with this blog is to show how musical representation, both lyrically and visually, affects the way women and men are perceived in the industry and real life.

Because the way women are perceived differs from genre to genre, Roti said she will emphasize and provide heavier coverage of rock, pop, hip/hop and rap as those are the genres she is most familiar with and can provide more informative coverage on.

The feminist blogger would like to focus on both lyrical and visual content of music videos and artist performances, but she feels that because young people react mainly to visual stimulation, she will sharpen her focus to explaining her thoughts utilizing images and videos.

Some influences for her blog and its topic are positive feminist icons such as Brody Dalle of The Distillers and Kathleen Hanna of Bikini Kill who reject expected gender presentations.

Roti believes the stigma and negative connotations attached to identifying as feminist are “ignorant and ridiculous,” so she openly identifies as one to show that it does not equate with man hating and other false stereotypes. 

Roti would like feminism to be more accessible to a larger audience and show that it is a positive label.

Somewhat boastful, Roti admits that her feminism began at the young age of 6 when she had a strong dislike for girl versus boy gym class activities.

However, her senior year of high school is perhaps the more defining moment of when she realized that there was a need for a feminist space in mainstream media. As a child she would mock pop stars from television, who were often sexualized, because those were the accepted versions of women and femininity.

“I believe in the power of social media but I don’t think everyone uses social media to further their own agendas,” Roti said. She aims to do so herself for this reason.

Roti promotes her feminism through Twitter, Facebook and Tumblr, which are all-inclusive of transgender, queer, gay, lesbian and other identities.

Due to Roti’s vocal support of feminism, she has lost some friends and believes that she would not be successful were she to hold “heterosexist, white elitist, patriarchal views.”


“Feminism doesn't exclude anyone, my feminism doesn't exclude anyone, and that's how I live my life.” 

To stay updated on how Roti employs her feminism ideals through mainstream music criticism, here is her blog: femmelouder.wordpress.com.

[UPDATE: Made on 3/18/14 at 12:15 pm]

Monday, March 3, 2014

Special: Angel Olsen

I'd like to take a break from posting generational content before I get to the 1990s and shoegaze.

Angel Olsen, rightfully named, has an angelic voice unlike anything I have heard come out of the underground music scene. The first time I heard her sing, I was instantly reminded of the Once Upon A Dream song in Disney's Sleeping Beauty.

Olsen's voice is equal parts enchanting and classical. Watching her in videos, it is hard to believe such a young person with a small physical frame can sing so powerfully and is able to captivate audiences who frequent punk shows.

Her talent is unparalleled as far as any acts currently in the underground scene. If her celestial vocal cords don't move you to some emotion or give you chills, I suggest you seek medical attention or stop polluting your musical palette with radio hits.